Avant-garde mosque angers hard-liners in Iran

In this Wednesday, Feb. 7, 2018, photo, Catherine Spiridonoff, co-architect of the Vali-e-Asr mosque walks on its second floor and women's prayer hall, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam. (AP Photo/Vahid Salemi)
In this Wednesday, Feb. 7, 2018, photo, pillars and the spiral ceiling of the Vali-e-Asr mosque are seen, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam.(AP Photo/Vahid Salemi)
In this Wednesday, Feb. 7, 2018, photo, Catherine Spiridonoff, left, and his husband Reza Daneshmir, both architects of Vali-e-Asr mosque, attend at the mosque's first floor in men's prayer hall, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam.(AP Photo/Vahid Salemi)
In this Wednesday, Feb. 7, 2018, photo, pillars and the spiral ceiling of the Vali-e-Asr mosque are seen, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam. (AP Photo/Vahid Salemi)
In this Wednesday, Feb. 7, 2018, photo, roof of the Vali-e-Asr mosque and the Tehran city Theater iconic building are seen, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam. (AP Photo/Vahid Salemi)
In this Wednesday, Feb. 7, 2018, photo, Catherine Spiridonoff, co-architect of the Vali-e-Asr mosque touches colored tiles decorating the niche or mihrab of the mosque on its first floor in men's prayer hall, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam. (AP Photo/Vahid Salemi)
In this Wednesday, Feb. 7, 2018, photo, Reza Daneshmir, right, gestures as he talks with his wife Catherine Spiridonoff, both architects of Vali-e-Asr mosque, while they walk on one of the mosque's ramps, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam. (AP Photo/Vahid Salemi)
In this Wednesday, Feb. 7, 2018, photo, roof of the Vali-e-Asr mosque and residential buildings are seen, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam. (AP Photo/Vahid Salemi)
In this Wednesday, Feb. 7, 2018, photo, roof of the Vali-e-Asr mosque is seen, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam. (AP Photo/Vahid Salemi)
In this Wednesday, Feb. 7, 2018, photo, Catherine Spiridonoff, co-architect of the Vali-e-Asr mosque looks at niche or mihrab of the mosque on its first floor in men's prayer hall, in Tehran, Iran. The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, instead opting for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam. (AP Photo/Vahid Salemi)

TEHRAN, Iran — A newly built avant-garde mosque in the heart of Iran's capital would have hard-liners shouting from the minarets — if there were any.

The architects behind the Vali-e-Asr mosque dispensed with the traditional rounded domes and towering minarets, opting instead for a modern design of undulating waves of gray stone and concrete, which they say complements the surrounding architecture and evokes the austerity of early Islam.

The new structure has infuriated hard-liners, who see it as part of a creeping secular onslaught on the Islamic republic. An editorial posted on the Mashregh news website compared the curvature to that of a Jewish yarmulke, accusing authorities of "treason" for approving it. The "completely neutral" design betrays an "atheistic approach," it said.

The mosque has emerged as the latest battleground in a longstanding culture war between hard-liners and Iran's vibrant artistic community, which has hoped — often in vain — for greater openness since President Hassan Rouhani, a relative moderate, was elected in 2013.

The 25,000-square-meter (270,000 sq. feet) structure rises smoothly from a major intersection, in a popular shopping area near Tehran University that also hosts cultural and artistic events. It's adjacent to the City Theater of Tehran, an iconic building dating back to before the 1979 Islamic Revolution, and the mosque includes its own library, reading halls, classrooms and amphitheater.

Reza Daneshmir, one of the architects, said he struggled for months before finally convincing authorities that a traditional mosque would look out of place at the site. He even argued his case before a parliamentary committee.

City officials "objected and said it did not look like a mosque, did not resemble the conventional form of a mosque, and that it couldn't be done," he said. "I explained who the real audiences of this mosque are," he said, referring to the young, bohemian Iranians who frequent the neighborhood. "I finally succeeded in persuading them."

"We wanted it to be an avant-garde project, not a conservative and backward one," he added.

He and his co-designer, Catherine Spiridonoff, point out that mosques come in many shapes and sizes, and that the first mosque ever built, at the time of the Prophet Muhammad, was a simple structure without domes or minarets.

The dome structure, which had been used in pagan and Christian architecture for centuries before the arrival of Islam, was only adopted later, as were minarets. In the past, a muezzin would climb a spiral staircase to the top of the minaret five times a day to call the faithful to prayer, but that practice has all but disappeared across the Muslim world, where most mosques are now equipped with loudspeakers.

Those arguments carry little weight with Iran's hard-liners and conservatives, who fear that the questioning of traditional structures — including the concrete variety — could erode the foundations of the Islamic republic. Mashregh says the architects sacrificed traditional design "at the foot of the City Theater."

The structure was nevertheless completed, after 10 years and at a cost of $16 million. It is expected to be opened to the public within the coming months.

Nima Borzouie, an 18-year-old student, acknowledged that he was initially unaware the building included a mosque, but said he approved of the idea.

"The spiritual aspect of a mosque is more important than its architecture," he said. "It's no big deal if it does not follow the stereotypical architecture of mosques that have domes or minarets. It is a place of worship."

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